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Raindance Script Reading Service

“If you have someone on set for the hair, why
would you not have someone for the words?”  

                                                          ― Louis Malle  

Do a “pre-mortem” on your script before sending it to producers so that you can avoid the need for a “post-mortem” of what went wrong in case of a rejection.

A good script reading service will inform you about the artistic as well as commercial viability of your script.

Script reports can determine if your script for a feature film/short film/TV episode is ready to be sent to producers and production companies, or you still need to work on how to convey your vision for a visual concept in a written form.

Short Film Coverage

£ 90
  • For Short scripts up to 40 pages
  • 4 plus pages of analyses on all aspects of the script
  • No synopsis in order to use the space for more feedback
  • No limits for number of pages of our reports. All issues of the script must be covered.
  • Suggestions and advice on how to tackle weaknesses in the script.
  • Eligible for 10% discount on the Pitch Package service for the same script

TV Script Coverage

£ 180
  • For TV scripts up to 65 pages
  • 7 plus pages of analyses on all aspects of the script
  • No limits for number of pages of our reports. All issues of the script must be covered
  • Suggestions and advice on how to tackle weaknesses in the script
  • Suggestions and advice on how to tackle weaknesses in the script.
  • Eligible for 10% discount on the Pitch Package service for the same script

Feature Film Coverage

£ 300
  • For Feature Scripts up to 120 pages
  • 11 plus pages of analyses on all aspects of the script
  • No synopsis in order to use the space for more feedback
  • Suggestions and advice on how to tackle weaknesses in the script
  • Suggestions and advice on how to tackle weaknesses in the script.
  • Eligible for 10% discount on the Pitch Package service for the same script
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*  £1 pound surcharge per page will be invoiced for any short script exceeding 40 pages, feature scripts exceeding 120 pages, and TV scripts exceeding 65 pages. 

What is Covered​

Coverage on essential elements of the script, such as characters, dialogue, plot/storyline, premise, etc.

Includes overview on the Craft as well as Creative and Technical aspects of the scripts.

Unlike reports sent to producers (which rarely discuss how an average script could be salvaged) our reports contain guidance on possible improvements as well as hints about points and weaknesses which might be picked up by potential producers.

Discussions in follow up emails would ensure that no issues have been left out.

10% Discount with Membership Pro & Raindance MA Students

*  Standard turnaround time is between 7 and 10 working days. During busy periods (e.g. festival seasons); it can take up to 14 working days.

Facts About Screenplays and Producers

  • Due to the sheer number of scripts which professional producers receive in this digital era, most of them hardly ever read any scripts unless those scripts go through some sort of filters and their potentials revealed
  • Many professional producers/production companies hire Script Readers of their own to sort few scripts with potentials from the rest of the batch.
  • More often than not, these hired Script Readers work in line with specific templates that instruct them to reject scripts with even smallest of flaws which could be easily missed by screenwriters.


“…But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.”

                                                                                                                  – Robert McKee

Myths About Screenplays and Producers

  • All you have to do after writing your script is to send it out to as many producers as possible until one copy is picked up by a likeminded producer. That is the analog era mindset. It is becoming more relevant for even small, independent production companies to obtain information on rejected scripts from other producers before commissioning another coverage themselves on scripts written by novice writers.
  • Instead of demonstrating your abilities as a visual writer, you can impress producers by showing off your vocabulary range and writing style, which more often than not are suitable for novels or short stories, forgetting that a script is the account of things which will be be seen and heard on the screen only.
  • Most producers do not have the knowledge and/or don’t care about proper application of screenwriting conventions and accepted industry standards. So you can get away with ignoring them just like your favourite (not to mention well-known and established) screenwriter does. This would be like going to your first job interview without being concerned about the dress code or your bad hair day.

Email screenplay@raindance.co.uk for details on  other custom-made script consultation services

Email screenplay@raindance.co.uk for more information

Finally: We highly advise screenwriters to register their scripts before sending them out for whatever reason. Raindance can take care of that for you.

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