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Mechamonsters vs Orchs/Tax credits vs Film funds


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Looking for money to fund a film can prove a herculean task. Not only is your film a unique prototype, which is hard enough to explain to potential investors, but money is an incredibly shy entity, especially if compared to the overly bold and borderline irresponsible thugs who sometimes sit at the top of the […]

Working with unions


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Full disclosure: I’m not affiliated with any of my country’s 21 film trade unions, but I’m seriously considering joining one once my current job in the public sector is finished. Having said that, we’ve all heard -and many may have lived through- the horror stories of film trade unions in the sixties and seventies of […]

The Art of Location Scouting


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A few years back I did some journeyman work on Man on Fire, the 2004 Tony Scott re-make of a novel set to shoot in Mexico City and its immense suburbs. The Locations Manager, Janice Polley, a long time Scott collaborator, was my boss for the few weeks I worked there and I have to say […]

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