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How to work with colour to give your film the “feature finish”


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Colour Timer, Telecine Operator, Telecine Artist and now Colourist, we’ve been called many things. The evolution in grading and camera technology has meant the role of the Colourist has had to evolve too.  Colour timing was the analogue process for adjusting colour on physical film by adjusting the amounts of red, green and blue light […]

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