Author: Vicky Matich

With a career spanning two decades, Vicki has extensive experience grading an impressive roster of feature documentary and scripted titles for major streamers, broadcasters and for theatrical release.

Her journey into colour began at ABC Studios in her native Sydney where she discovered a scarcely used grading suite setting her on a path to become one of the industry’s leading female colourists.

On arrival in the UK Vicki primarily graded 16mm dailies for dramas. Most recently Vicki spent 4 years as Senior Colourist at Molinare. Her recent feature doc credits include ‘Einstein and the Bomb’, ‘The Deepest Breath’ both for Netflix and ‘Super/Man: The Christopher Reeve Story,’ produced by Misfits Entertainment and Passion Pictures, which had its world premiere and opened at Sundance this year. Her scripted credits include ‘Silent Witness’ series 27 & 28, ‘Ackley Bridge’, ‘Bloods,’ ‘Stath Lets Flats’ and ‘Ozi, Voice of the Forest,’ produced in collaboration with Leonardo DiCaprio’s Appian Way and executive producer Mike Medavoy.

Making Every Frame Count: How Indie Producers Can Maximise Budgets Through Smart Colour Grading

In film and TV production, budgets are often heavily front-loaded into the production side: locations, talent, crew, and equipment. But as every seasoned producer knows, the final image your audience experiences isn’t just made on set, it’s crafted in post-production, particularly through grading and colour work. Getting the most from your budget means thinking about […]

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