For twelve years, I tried to make a movie about a man who stole a corpse and slept with it for 7 years. A TRUE story. Already, I realize I have not made things easy for myself. The film is *Von Cosel*, based on the true story of Carl Tanzler, the eccentric radiology technician who […]
A stereotype can be useful for about ten seconds. Here are the ones I see over and over again at Raindance. And none are the principles professionals use: The ruthless producer. The shy teenager. The detective who drinks too much. Each gives an audience an immediate idea of who has entered the story. Yet then […]
What developing ELIAN taught me about protecting original IP, listening across cultures and turning a screenplay into a film project other people can actually enter. When I completed ELIAN: Through Silence and Ash, I thought I had reached one of the hardest milestones: finishing the screenplay. In reality, I had arrived at a harder question: […]
Two years ago, I ran an open call for horror film scripts through my company, Apple Park Films. With a feature film almost at picture lock after feedback from our test screenings, I had a real sense of momentum and wanted to capitalise on this by preparing projects to shop around when people asked what […]
Somewhere on your phone right now, there’s probably a Telegram thread with your latest script draft attached. Maybe it’s a folder of dailies your DP sent over from set or a client conversation about festival rights. That’s just how a lot of low-budget and mid-size productions run: Telegram is fast, works across time zones, and […]
There is a moment every development executive knows. A script lands on your desk. Coverage tells you the plot. Genre tells you the surface. And somewhere in the read, you feel something – this works, or this doesn’t, or this is almost something – but when you sit down to give notes, the language runs […]
You send the rough cut. Two days later you have seventeen WhatsApp messages, a voice note your editor can’t open, a three-paragraph email that refers to “that bit near the end,” and a PDF of handwritten notes with no timestamps. You spend four hours trying to decode the feedback before you even touch the timeline. […]
Filmmaking is often viewed as a purely creative pursuit, but anyone who has worked on a film project knows that the process can sometimes stall. Even the most passionate directors, writers, and editors can experience creative blocks that make it difficult to move forward. Whether you are struggling with story development, visual direction, or editing […]
Creativity is rarely the problem in the moment your writing stops working. The real moment your work dies is far more subtle. It’s when your language stops coming from lived experience and starts coming from borrowed frameworks. Film schools repeat the same phrases. Writing workshops repeat the same rules. Creative podcasts recycle the same insights. […]
When people hear about AI in the film industry, they almost always think of AI stealing the jobs of screenwriters. As a writer, I tried using AI for writing out of curiosity, but the results it produced did not feel threatening to me at all. AI is not imaginative or creative. But it can be […]
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