Film investors operate on a whole new way today. For decades, filmmakers have been taught that the most important thing is the film itself. Write the best screenplay. Cast the right actors. Shoot beautifully Edit tightly. Finish the film. Supposedly, then the audience, festivals, distributors and investors will arrive. That model is collapsing. Not because […]
re·mark·a·ble [ri-mahr-kuh-buhl] adjective 1. notably or conspicuously unusual: extraordinary: a remarkable change. 2. worthy of notice or attention. I get invited to do a lot of guest speaking and generally my hosts want a few simple sharp film facts wrapped in an uplifting and inspirational package – not exactly a happy pill, but similar I […]
I know what it’s like. I’ve done it myself. I’ve made shorts that have been selected by some fairly decent film festivals. I’ve produced features that have won their money back – and other that have lost. And My projects have won some significant international awards. But it’s still really heard work. You can’t really […]
We’d struggled with stepping up to larger budgets on past productions and I knew something in our model had to change. The thing that got our first BIFA nominated film Little White Lies made was doing it on a very low budget. Our ambitions with The Machine were far larger, but it was always […]
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