Content over process is the lesson from Steve Jobs. His wise advice highlights the importance of creating something meaningful and resonant before worrying about the logistics. For indie filmmakers, this means focusing on the strength of your story while navigating the modern challenges of production and distribution.
Here is his famous interview:
Here’s how filmmakers can organise their careers using Jobs’ advice and insight. That also means without relying on huge cameras with dozens of cables running between pieces of gear. None of this is easy. It’s just doable. I’m including real-world examples for inspiration:
1. Content is King: Craft an Unforgettable Story
What You Can Do:
2. Use Lean Production Techniques
What You Can Do:
Identify locations you have free or cheap access to.
Maybe a friend owns a diner, or your local park can double as a dramatic backdrop.
Films like “Tangerine” (2015) were shot on an iPhone, proving that you don’t need expensive gear to tell a great story. Use tools like DaVinci Resolve for free editing and colour grading.
3. Embrace Non-Traditional Distribution
What You Can Do:
Submit your film to festivals like Raindance or niche festivals like Fantasia (for genre films). For example, “Napoleon Dynamite” was picked up for distribution by Fox Searchlight after its Sundance debut.
If festivals aren’t an option, platforms like Amazon Prime Video Direct or Vimeo on Demand allow you to reach audiences directly. The documentary “Life in a Day” premiered for free on YouTube and gained millions of views.
4. Build an Audience Before Release
What You Can Do:
5. Partner with Aggregators or Niche Platforms
What You Can Do:
6. Hybrid Distribution Models
What You Can Do:
7. Crowdfund and Build Buzz Simultaneously
What You Can Do:
8. Use Analytics to Refine Your Approach
What You Can Do:
9. Plan for Longevity and Relationships
What You Can Do:
Fade Out:
I still think back to this lesson from Steve Jobs. He was so right. By prioritising the content — the heart of your story — while using creative, resourceful methods to navigate production and distribution, you can stand out in the competitive indie filmmaking world. Look to films like “Moonlight”, “Whiplash”, or “The Florida Project” for inspiration: all were built on strong narratives and succeeded by embracing innovative production and distribution methods.
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Photo Credit: Bertie Watson
I founded Raindance Film Festival in 1993 because the British film industry was closed, polite, and congratulating itself while shutting new filmmakers out.
I co-founded the British Independent Film Awards in 1998 because British indie film deserved more than a shrug, a pat on the head, and a Tuesday night screening.
Raindance didn’t start as a brand. It started as a rebellion: film training without gatekeepers, a festival without permission, and a community built by filmmakers who weren’t waiting to be invited in.
Later, we took it global: Toronto, Vancouver, New York, LA, Berlin, and Brussels, because independent film doesn’t belong to one city, one class, or one accent.
I’ve produced 700+ short films and seven features, including Deadly Virtues (2014) and ALICE, which won the SXSW Grand Jury Prize (2019) not because someone “discovered” us, but because the work earned its place.
I’ve written three books used by filmmakers worldwide because too many courses taught compliance instead of survival.
In 2009, I was awarded a PhD for services to film education, ironic, given that most of my career has been about tearing down the rules that education insisted you follow.
I don’t believe in waiting for permission.I believe in making work, building systems, and forcing the industry to catch up.
Specialties: Independent Film (the real kind) · Producing · Writing · Film Education · Festivals · Breaking Broken Systems
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