When I started running the Raindance Film Festival in 1992, I had no formal training in reading or how to analyse screenplays. Over the next decade, I read and critiqued more than 2,500 scripts, including notable works like 51st State and Lock, Stock and Two Smoking Barrels. This hands-on experience gave me a deep understanding […]
How I Learned to Read and Analyse Screenplays: Lessons from 2,500 Scripts