We have all heard about horror films, how they are the new genre everyone is talking about. And independent horror films are the big talking point in the film industry.
What makes horror interesting to me, is that horror films are relatively cheap to produce. You need a couple of actors and some lights. Come up with a good scenario and presto!
Hugh Grant’s film is exactly that. Three characters in a creepy house. Have you seen the trailer? Big star, big budget, but my point is the same. He’s finally ditched the leading romantic male lead in favour of a terrifyingly ‘horrible’ character in Heretic. Watch the trailer and see if you agree:
Here are some of my favourite horror films, made outside of the studio system that made some terrific huge budget films like Beetlejuice.
The Blair Witch Project (1999) – Directed by Daniel Myrick and Eduardo Sánchez,
This film claims to have pioneered the found-footage style. There was an early found-footage horror film called The Last Broadcast, which failed at the box office the year before The Blair Witch. Not to take anything away from Blair Witch.
I was working on the Raindance horror thread, Screamdance, way back then with my colleague, the sadly deceased Elisar Cabrera. Raindance held the European premiere of The Blair Witch Project. Daniel Myrick and Eduardo Sanchez both attended the star-studded screening. Blair Witch’s success was due to a brilliant marketing campaign. It remains a favourite of all the top independent horror films.
The filmmakers created a sense of realism that terrified audiences. The story follows three film students who vanish while exploring the myth of the Blair Witch in the woods of Maryland, leaving only their footage behind.
Critical & Box Office Success: The film was a massive success, grossing over $248 million worldwide against a budget of around $60,000. It received critical acclaim for its innovative use of handheld cameras and its ability to create horror through its documentary-style format. Its European premiere was at Raindance to a star-studded audience.
Hereditary (2018) Directed by Ari Aster
Ari Aster’s directorial debut explores the harrowing grief and dark secrets of the Graham family after their grandmother’s death. The film meticulously crafts a narrative around heritage and mental illness. It features standout performances, especially by Toni Collette.
Critical & Box Office Success: “Hereditary” was both a commercial and critical success. It earned over $80 million globally. Hereditary received widespread acclaim for its direction, screenplay, and Collette’s performance, marking it as the decade’s most notable horror film.
p;
Get Out (2017)
Directed by Jordan Peele
Jordan Peele’s groundbreaking horror film uses the genre to explore racial tensions in America. A young African-American man discovers a disturbing secret upon visiting his white girlfriend’s family estate.
Critical & Box Office Success: The film grossed $255 million worldwide and was praised for its original screenplay and timely social commentary. It earned Peele an Oscar for Best Original Screenplay.
Paranormal Activity (2007) Directed by Oren Peli
This film revitalised the found-footage genre by depicting a couple haunted by a supernatural entity in their home, captured by their own camera setup.
Critical & Box Office Success: Made on a budget of just $15,000, it grossed over $193 million worldwide. It became one of the most profitable films in cinema history. Peli received positive reviews for his effective use of suspense and tension.
Raindance note: Director Oren Peli emailed to tell me that he kept my book: Lo-To-No Budget Filmmaking at his side for the entire shoot! Peli really wanted the film to play at Raindance, but the festival dates didn’t fit into the distributor’s release schedule.
It Follows (2014) Directed by David Robert Mitchell
This film presents a supernatural entity passed through sexual encounters, haunting its victims until they pass it on or die. Its unique premise and the haunting score by Disasterpeace complement the unsettling tone.
Critical & Box Office Success: “It Follows” earned over $23 million and was critically acclaimed for its original concept and atmospheric tension, reinforcing the artistic potential of indie horror films.
A Girl Walks Home Alone at Night (2014) Directed by Ana Lily Amirpour
Ana Lily Amirpour’s film, billed as the “first Iranian vampire Western”, blends genres and styles, presenting a skateboarding vampire in an Iranian ghost-town called Bad City.
Critical & Box Office Success: It was not a major box office hit. The film was rightly critically acclaimed for its stylish direction, cinematography, and unique blend of genres. The film was sold by frequent Raindance partner, Kino Lorber, and produced by the incredible Canadian company, Vice.
Featuring Nicolas Cage in a revenge narrative set in a surreal 1980s landscape, this film directed by Panos Cosmatos is known for its psychedelic horror and visually stunning, if brutal, vengeance tale.
Critical & Box Office Success: While “Mandy” had a limited box office presence, it was highly praised in critical circles for its bold visuals and Cage’s powerhouse performance, gaining a cult status.
The Babadook (2014)
Directed by Jennifer Kent
Jennifer Kent’s film about a widow and her son tormented by a sinister presence from a mysterious book deals with themes of grief and maternal struggle. Kent is considered one of the top female directors of horror.
Critical & Box Office Success: The film earned $10 million and received widespread critical acclaim, noted for its psychological depth and horror elements, and has been interpreted as a poignant exploration of mental illness.
Pi (1998) Directed by Darren Aronofsky
Of all the independent horror films, this one, Darren Aronofsky’s debut feature, is a personal favourite. “Pi” explores obsession and paranoia through the eyes of a mathematician hunting for patterns that could unlock the universal patterns found in nature.
Critical & Box Office Success: Made on a modest budget, “Pi” won the Directing Award at the Sundance Film Festival and was praised for its innovative approach to storytelling and visual style, setting the stage for Aronofsky’s distinguished career.
That’s a wrap
These films have each left a significant mark on the landscape of horror cinema. They are celebrated for their innovation and the unique voice they bring to the genre. They also follow the basic principals of horror. Which horror films do you love to hate?
Yours in horror, Elliot Grove
Got Your Own Spooky Short?
Raindance is hosting a horror short film competition. Find out how to submit below!
Fade Out
Do you want to call yourself a storyteller? The rise of storytelling means you can. It’s simple. You just need to tell stories. Let Raindance help you craft and market your stories.
In essence, theRaindance Short Courses offer a well-timed opportunity for a mid-career professional to strategically enhance their filmmaking career. Whether you’re looking to hone your craft, explore new avenues, or refresh your perspective, our flexible courses can provide the tools, inspiration, and connections necessary to reinvent and reinvigorate your career. Online/In Person. Explore Raindance Degree Courses
Photo Credit: Bertie Watson I founded Raindance Film Festival in 1993 because the British film industry was closed, polite, and congratulating itself while shutting new filmmakers out. I co-founded the British Independent Film Awards in 1998 because British indie film deserved more than a shrug, a pat on the head, and a Tuesday night screening.
Raindance didn’t start as a brand. It started as a rebellion: film training without gatekeepers, a festival without permission, and a community built by filmmakers who weren’t waiting to be invited in.
Later, we took it global: Toronto, Vancouver, New York, LA, Berlin, and Brussels, because independent film doesn’t belong to one city, one class, or one accent.
I’ve produced 700+ short films and seven features, including Deadly Virtues (2014) and ALICE, which won the SXSW Grand Jury Prize (2019) not because someone “discovered” us, but because the work earned its place.
I’ve written three books used by filmmakers worldwide because too many courses taught compliance instead of survival.
In 2009, I was awarded a PhD for services to film education, ironic, given that most of my career has been about tearing down the rules that education insisted you follow.
I don’t believe in waiting for permission.I believe in making work, building systems, and forcing the industry to catch up.
Specialties: Independent Film (the real kind) · Producing · Writing · Film Education · Festivals · Breaking Broken Systems Check out my new Substack for in depth Free Articles:
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Subscribe to our mailing list to receive 10% off your first course
purchase
Marketing Permissions
Raindance Film Partnership will use the information you provide on this form to be in
touch with you and to provide updates and marketing. Please let us know all the ways you
would like to hear from us:
You can change your mind at any time by clicking the unsubscribe link in the footer of
any email you receive from us, or by contacting us at info@raindance.co.uk. We will treat your
information with respect. For more information about our privacy practices please visit
our website. By clicking below, you agree that we may process your information in
accordance with these terms.
We use Mailchimp as our marketing platform. By clicking below to subscribe, you
acknowledge that your information will be transferred to Mailchimp for processing.