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What Makes A Good Film Review

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We are deep in pre-production mayhem here at Raindance. Selecting the very best films is just part of the process. We need to get audiences in. And the tool we use is a really good, well-written film review. Reviewing an independent film at the Raindance Film Festival—or any film festival, really—can be a rewarding endeavour. Here are some insider tips our reviewers follow when writing carefully crafted reviews to help you decide which film to attend:

Watch with Intention:

Clicking a preview link on your computer is always a moment of truth. What gen are you about to uncover? Approach each film with an open mind but also with a critical eye. Pay attention to not just the storyline, but also the cinematography, acting, direction, editing, sound, and music. Each element plays a crucial role in the storytelling.

Know the Context:

Understand the background of the film. Research the director’s previous works, the origin of the story, and its production history. Context can add depth to your understanding and interpretation of the film.

Take Notes:

During the screening, jot down your immediate reactions and thoughts. Note anything that stands out, whether it’s a particular scene, line of dialogue, or visual effect. These notes will be invaluable when you write your review. It will also help the festival marketing team plan their strategy.

Engage with Themes:

Independent films that screen at Raindance often explore complex themes and showcase unique perspectives. Try to identify and analyse these themes, considering how effectively the film communicates its messages and engages the audience. Also, try to make note of the audiences you think would be attracted to the issues raised in the film.

Be Honest but Fair:

Give your honest opinion about what worked and what didn’t in the film. However, remember to critique constructively, especially since independent films typically work with lower budgets and less conventional storytelling techniques. Comments like ‘the camera is shaky’ usually don’t apply.

Avoid Spoilers:

Your review should give readers an idea of what to expect without revealing any major plot twists or endings. If you need to discuss a crucial aspect of the film that might be considered a spoiler, warn your readers first. Your review should build the audience’s expectations, and lead to the reader wanting to see the movie.

Consider Your Audience:

Tailor your review to your audience. If your readers are likely to be film buffs, you can delve deeper into technical aspects. If they’re casual viewers, focus more on the entertainment value and general appeal of the film.

Check Your Facts:

Make sure all your information is accurate. This includes the names of the cast and crew, specifics about the film’s production, and any historical or cultural references the film might include. You should also have been supplied with the press kit from which you can refer to.

Read Other Reviews:

After writing your initial draft, it might be helpful to read what others are saying about the film. This can provide additional insights or different perspectives that you might have missed.

Edit Thoroughly:

A well-written review is not only informative but also enjoyable to read. Make sure your final draft is clear, concise, and free of errors. Use compelling language to keep your readers engaged.

Writing a film review for a festival like Raindance is a fantastic opportunity to explore diverse filmmaking styles and contribute to the conversation around independent cinema. Enjoy the process!

Famous reviewers from Raindance

The UK has a rich tradition of film criticism with several noteworthy critics who have made significant contributions to the field. Here are some of the best and most influential UK film reviewers, all of whom have served as jury members in years gone by:

Mark Kermode

Possibly the most famous contemporary British film critic, Mark Kermode writes for The Observer and frequently appears on BBC Radio 5 Live. He’s known for his passionate and sometimes acerbic reviews, and he has a particular penchant for horror films.

Peter Bradshaw

As the chief film critic for The Guardian, Bradshaw is known for his eloquent and often witty reviews. His critiques are comprehensive, and he has a knack for highlighting both the merits and flaws of a film in an engaging manner.

Kim Newman

An expert in horror and sci-fi genres, Newman writes for Empire Magazine and is renowned for his deep knowledge of both mainstream and cult films. His reviews are rich in film history and context, making them a favorite among cinephiles.

Tim Robey

Writing for The Telegraph, Robey is known for his insightful and articulate film reviews. His writing style is accessible yet detailed, appealing to both casual viewers and film enthusiasts.

Danny Leigh

Formerly a co-host on BBC’s “Film…” show alongside Claudia Winkleman and a frequent contributor to The Guardian and Financial Times. His approach often involves a deeper cultural analysis of films, making his critiques stand out for their depth and thoughtfulness.

Jonathan Romney

A regular contributor to The Independent and Sight & Sound, Romney is known for his academic style that doesn’t shy away from exploring complex and nuanced aspects of the films he reviews.

Catherine Bray

Though perhaps not as well-known as some others on this list, Bray is a talented critic who writes for Variety and hosts TV and radio shows. Her reviews are known for their clarity and straightforwardness.

Barry Norman

The late Barry Norman was a defining voice in film criticism in the UK, best known for hosting the BBC television program “Film…” from 1972 to 1998. His knowledgeable and accessible reviews helped educate and inform a generation of filmgoers.

Google these esteemed film reviewers and learn how they put their knowledge and passion into their film reviews.

Happy reviewing.

Why not attend the Raindance Film Festival and see if the film review lives up to the movie?

film review

Ways Raindance Can Help You

A taster evening; 99 Minute Film School – a single evening explaining how the film industry works.

A taster One Day Masterclass: Saturday Film School – discover the ins-and-outs of writing, directing and producing a film in an information packed and entertaining day

The Raindance 2 year Higher National Degree: a students entry point to Higher Education
Study filmmaking or acting over 2 years at one of our 3 international campus’! This is a full-time University level course. Through Raindance, students will have the opportunity to attend renowned courses delivered by industry professionals and attend our networking events to develop further opportunities.

The Raindance BA in Filmmaking or Performance: The Raindance Film School Top-Up BA (Hons) in Film and Performing Arts Practices is a one year practical course. It’s been designed to provide aspiring, and existing, Film and Performing Arts practitioners the opportunity to develop their existing academic or professional experience up to BA level in a chosen pathway or pathways (producing, directing, screenwriting or acting).

The Raindance MA: Study your MA in Filmmaking or Screenwriting at Raindance Film School (accredited by De Montfort University). They are 21st-century degrees for filmmakers, entrepreneurs, creatives and future academics wishing to upskill or transition into the film and digital media industry. These programmes provides a unique opportunity for you to benefit from the experience of Industry Experts across the world, whilst developing your personal professional practice, as well as your research and independent study skills.

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